Man1 - ffmpeg-bitstream-filters.1

Convert MPEG-2/4 AAC ADTS to an MPEG-4 Audio Specific Configuration bitstream.

This filter creates an MPEG-4 AudioSpecificConfig from an MPEG-2/4 ADTS header and removes the ADTS header.

This filter is required for example when copying an AAC stream from a raw ADTS AAC or an MPEG-TS container to MP4A-LATM, to an FLV file, or to MOV/MP4 files and related formats such as 3GP or M4A. Please note that it is auto-inserted for MP4A-LATM and MOV/MP4 and related formats.

Modify metadata embedded in an AV1 stream.

td

Insert or remove temporal delimiter OBUs in all temporal units of the stream.

insert

Insert a TD at the beginning of every TU which does not already have one.

remove

Remove the TD from the beginning of every TU which has one.

color_primaries

transfer_characteristics

matrix_coefficients

Set the color description fields in the stream (see AV1 section 6.4.2).

color_range

Set the color range in the stream (see AV1 section 6.4.2; note that this cannot be set for streams using BT.709 primaries, sRGB transfer characteristic and identity (RGB) matrix coefficients).

tv

Limited range.

pc

Full range.

chroma_sample_position

Set the chroma sample location in the stream (see AV1 section 6.4.2). This can only be set for 4:2:0 streams.

vertical

Left position (matching the default in MPEG-2 and H.264).

colocated

Top-left position.

tick_rate

Set the tick rate (num_units_in_display_tick / time_scale) in the timing info in the sequence header.

num_ticks_per_picture

Set the number of ticks in each picture, to indicate that the stream has a fixed framerate. Ignored if tick_rate is not also set.

delete_padding

Deletes Padding OBUs.

Remove zero padding at the end of a packet.

Extract the core from a DCA/DTS stream, dropping extensions such as DTS-HD.

Add extradata to the beginning of the filtered packets except when said packets already exactly begin with the extradata that is intended to be added.

freq

The additional argument specifies which packets should be filtered. It accepts the values:

add extradata to all key packets

add extradata to all packets

If not specified it is assumed k.

For example the following ffmpeg command forces a global header (thus disabling individual packet headers) in the H.264 packets generated by the libx264 encoder, but corrects them by adding the header stored in extradata to the key packets:

ffmpeg -i INPUT -map 0 -flags:v +global_header -c:v libx264 -bsf:v dump_extra out.ts

Extract the core from a E-AC-3 stream, dropping extra channels.

Extract the in-band extradata.

Certain codecs allow the long-term headers (e.g. MPEG-2 sequence headers, or H.264/HEVC (VPS/)SPS/PPS) to be transmitted either in-band (i.e. as a part of the bitstream containing the coded frames) or out of band (e.g. on the container level). This latter form is called extradata in FFmpeg terminology.

This bitstream filter detects the in-band headers and makes them available as extradata.

remove

When this option is enabled, the long-term headers are removed from the bitstream after extraction.

Remove units with types in or not in a given set from the stream.

pass_types

List of unit types or ranges of unit types to pass through while removing all others. This is specified as a ’|’-separated list of unit type values or ranges of values with ’-’.

remove_types

Identical to pass_types, except the units in the given set removed and all others passed through.

Extradata is unchanged by this transformation, but note that if the stream contains inline parameter sets then the output may be unusable if they are removed.

For example, to remove all non-VCL NAL units from an H.264 stream:

ffmpeg -i INPUT -c:v copy -bsf:v filter_units=pass_types=1-5 OUTPUT

To remove all AUDs, SEI and filler from an H.265 stream:

ffmpeg -i INPUT -c:v copy -bsf:v filter_units=remove_types=35|38-40 OUTPUT

Extract Rgb or Alpha part of an HAPQA file, without recompression, in order to create an HAPQ or an HAPAlphaOnly file.

texture

Specifies the texture to keep.

color

alpha

Convert HAPQA to HAPQ

ffmpeg -i hapqa_inputfile.mov -c copy -bsf:v hapqa_extract=texture=color -tag:v HapY -metadata:s:v:0 encoder=“HAPQ” hapq_file.mov

Convert HAPQA to HAPAlphaOnly

ffmpeg -i hapqa_inputfile.mov -c copy -bsf:v hapqa_extract=texture=alpha -tag:v HapA -metadata:s:v:0 encoder=“HAPAlpha Only” hapalphaonly_file.mov

Modify metadata embedded in an H.264 stream.

aud

Insert or remove AUD NAL units in all access units of the stream.

insert

remove

sample_aspect_ratio

Set the sample aspect ratio of the stream in the VUI parameters.

overscan_appropriate_flag

Set whether the stream is suitable for display using overscan or not (see H.264 section E.2.1).

video_format

video_full_range_flag

Set the video format in the stream (see H.264 section E.2.1 and table E-2).

colour_primaries

transfer_characteristics

matrix_coefficients

Set the colour description in the stream (see H.264 section E.2.1 and tables E-3, E-4 and E-5).

chroma_sample_loc_type

Set the chroma sample location in the stream (see H.264 section E.2.1 and figure E-1).

tick_rate

Set the tick rate (num_units_in_tick / time_scale) in the VUI parameters. This is the smallest time unit representable in the stream, and in many cases represents the field rate of the stream (double the frame rate).

fixed_frame_rate_flag

Set whether the stream has fixed framerate - typically this indicates that the framerate is exactly half the tick rate, but the exact meaning is dependent on interlacing and the picture structure (see H.264 section E.2.1 and table E-6).

crop_left

crop_right

crop_top

crop_bottom

Set the frame cropping offsets in the SPS. These values will replace the current ones if the stream is already cropped. These fields are set in pixels. Note that some sizes may not be representable if the chroma is subsampled or the stream is interlaced (see H.264 section 7.4.2.1.1).

sei_user_data

Insert a string as SEI unregistered user data. The argument must be of the form UUID+string, where the UUID is as hex digits possibly separated by hyphens, and the string can be anything. For example, 086f3693-b7b3-4f2c-9653-21492feee5b8+hello will insert the string ``hello’’ associated with the given UUID.

delete_filler

Deletes both filler NAL units and filler SEI messages.

level

Set the level in the SPS. Refer to H.264 section A.3 and tables A-1 to A-5. The argument must be the name of a level (for example, 4.2), a level_idc value (for example, 42), or the special name auto indicating that the filter should attempt to guess the level from the input stream properties.

Convert an H.264 bitstream from length prefixed mode to start code prefixed mode (as defined in the Annex B of the ITU-T H.264 specification).

This is required by some streaming formats, typically the MPEG-2 transport stream format (muxer mpegts).

For example to remux an MP4 file containing an H.264 stream to mpegts format with ffmpeg, you can use the command:

ffmpeg -i INPUT.mp4 -codec copy -bsf:v h264_mp4toannexb OUTPUT.ts

Please note that this filter is auto-inserted for MPEG-TS (muxer mpegts) and raw H.264 (muxer h264) output formats.

This applies a specific fixup to some Blu-ray streams which contain redundant PPSs modifying irrelevant parameters of the stream which confuse other transformations which require correct extradata.

A new single global PPS is created, and all of the redundant PPSs within the stream are removed.

Modify metadata embedded in an HEVC stream.

aud

Insert or remove AUD NAL units in all access units of the stream.

insert

remove

sample_aspect_ratio

Set the sample aspect ratio in the stream in the VUI parameters.

video_format

video_full_range_flag

Set the video format in the stream (see H.265 section E.3.1 and table E.2).

colour_primaries

transfer_characteristics

matrix_coefficients

Set the colour description in the stream (see H.265 section E.3.1 and tables E.3, E.4 and E.5).

chroma_sample_loc_type

Set the chroma sample location in the stream (see H.265 section E.3.1 and figure E.1).

tick_rate

Set the tick rate in the VPS and VUI parameters (num_units_in_tick / time_scale). Combined with num_ticks_poc_diff_one, this can set a constant framerate in the stream. Note that it is likely to be overridden by container parameters when the stream is in a container.

num_ticks_poc_diff_one

Set poc_proportional_to_timing_flag in VPS and VUI and use this value to set num_ticks_poc_diff_one_minus1 (see H.265 sections 7.4.3.1 and E.3.1). Ignored if tick_rate is not also set.

crop_left

crop_right

crop_top

crop_bottom

Set the conformance window cropping offsets in the SPS. These values will replace the current ones if the stream is already cropped. These fields are set in pixels. Note that some sizes may not be representable if the chroma is subsampled (H.265 section 7.4.3.2.1).

level

Set the level in the VPS and SPS. See H.265 section A.4 and tables A.6 and A.7. The argument must be the name of a level (for example, 5.1), a general_level_idc value (for example, 153 for level 5.1), or the special name auto indicating that the filter should attempt to guess the level from the input stream properties.

Convert an HEVC/H.265 bitstream from length prefixed mode to start code prefixed mode (as defined in the Annex B of the ITU-T H.265 specification).

This is required by some streaming formats, typically the MPEG-2 transport stream format (muxer mpegts).

For example to remux an MP4 file containing an HEVC stream to mpegts format with ffmpeg, you can use the command:

ffmpeg -i INPUT.mp4 -codec copy -bsf:v hevc_mp4toannexb OUTPUT.ts

Please note that this filter is auto-inserted for MPEG-TS (muxer mpegts) and raw HEVC/H.265 (muxer h265 or hevc) output formats.

Modifies the bitstream to fit in MOV and to be usable by the Final Cut Pro decoder. This filter only applies to the mpeg2video codec, and is likely not needed for Final Cut Pro 7 and newer with the appropriate -tag:v.

For example, to remux 30 MB/sec NTSC IMX to MOV:

ffmpeg -i input.mxf -c copy -bsf:v imxdump -tag:v mx3n output.mov

Convert MJPEG/AVI1 packets to full JPEG/JFIF packets.

MJPEG is a video codec wherein each video frame is essentially a JPEG image. The individual frames can be extracted without loss, e.g. by

ffmpeg -i ../some_mjpeg.avi -c:v copy frames_%d.jpg

Unfortunately, these chunks are incomplete JPEG images, because they lack the DHT segment required for decoding. Quoting from <*http://www.digitalpreservation.gov/formats/fdd/fdd000063.shtml*>:

Avery Lee, writing in the rec.video.desktop newsgroup in 2001, commented that MJPEG, or at least the MJPEG in AVIs having the MJPG fourcc, is restricted JPEG with a fixed Ω- and omitted Ω- Huffman table. The JPEG must be YCbCr colorspace, it must be 4:2:2, and it must use basic Huffman encoding, not arithmetic or progressive. . . . You can indeed extract the MJPEG frames and decode them with a regular JPEG decoder, but you have to prepend the DHT segment to them, or else the decoder won’t have any idea how to decompress the data. The exact table necessary is given in the OpenDML spec.

This bitstream filter patches the header of frames extracted from an MJPEG stream (carrying the AVI1 header ID and lacking a DHT segment) to produce fully qualified JPEG images.

ffmpeg -i mjpeg-movie.avi -c:v copy -bsf:v mjpeg2jpeg frame_%d.jpg exiftran -i -9 frame*.jpg ffmpeg -i frame_%d.jpg -c:v copy rotated.avi

Add an MJPEG A header to the bitstream, to enable decoding by Quicktime.

Extract a representable text file from MOV subtitles, stripping the metadata header from each subtitle packet.

See also the text2movsub filter.

Decompress non-standard compressed MP3 audio headers.

Modify metadata embedded in an MPEG-2 stream.

display_aspect_ratio

Set the display aspect ratio in the stream. The following fixed values are supported:

4/3

16/9

221/100

Any other value will result in square pixels being signalled instead (see H.262 section 6.3.3 and table 6-3).

frame_rate

Set the frame rate in the stream. This is constructed from a table of known values combined with a small multiplier and divisor - if the supplied value is not exactly representable, the nearest representable value will be used instead (see H.262 section 6.3.3 and table 6-4).

video_format

Set the video format in the stream (see H.262 section 6.3.6 and table 6-6).

colour_primaries

transfer_characteristics

matrix_coefficients

Set the colour description in the stream (see H.262 section 6.3.6 and tables 6-7, 6-8 and 6-9).

Unpack DivX-style packed B-frames.

DivX-style packed B-frames are not valid MPEG-4 and were only a workaround for the broken Video for Windows subsystem. They use more space, can cause minor AV sync issues, require more CPU power to decode (unless the player has some decoded picture queue to compensate the 2,0,2,0 frame per packet style) and cause trouble if copied into a standard container like mp4 or mpeg-ps/ts, because MPEG-4 decoders may not be able to decode them, since they are not valid MPEG-4.

For example to fix an AVI file containing an MPEG-4 stream with DivX-style packed B-frames using ffmpeg, you can use the command:

ffmpeg -i INPUT.avi -codec copy -bsf:v mpeg4_unpack_bframes OUTPUT.avi

Damages the contents of packets or simply drops them without damaging the container. Can be used for fuzzing or testing error resilience/concealment.

Parameters:

amount

A numeral string, whose value is related to how often output bytes will be modified. Therefore, values below or equal to 0 are forbidden, and the lower the more frequent bytes will be modified, with 1 meaning every byte is modified.

dropamount

A numeral string, whose value is related to how often packets will be dropped. Therefore, values below or equal to 0 are forbidden, and the lower the more frequent packets will be dropped, with 1 meaning every packet is dropped.

The following example applies the modification to every byte but does not drop any packets.

ffmpeg -i INPUT -c copy -bsf noise[=1] output.mkv

This bitstream filter passes the packets through unchanged.

Repacketize PCM audio to a fixed number of samples per packet or a fixed packet rate per second. This is similar to the asetnsamples audio filter but works on audio packets instead of audio frames.

nb_out_samples, n

Set the number of samples per each output audio packet. The number is intended as the number of samples per each channel. Default value is 1024.

pad, p

If set to 1, the filter will pad the last audio packet with silence, so that it will contain the same number of samples (or roughly the same number of samples, see frame_rate) as the previous ones. Default value is 1.

frame_rate, r

This option makes the filter output a fixed number of packets per second instead of a fixed number of samples per packet. If the audio sample rate is not divisible by the frame rate then the number of samples will not be constant but will vary slightly so that each packet will start as close to the frame boundary as possible. Using this option has precedence over nb_out_samples.

You can generate the well known 1602-1601-1602-1601-1602 pattern of 48kHz audio for NTSC frame rate using the frame_rate option.

ffmpeg -f lavfi -i sine=r=48000:d=1 -c pcm_s16le -bsf pcm_rechunk=r=30000/1001 -f framecrc -

Modify color property metadata embedded in prores stream.

color_primaries

Set the color primaries. Available values are:

auto

Keep the same color primaries property (default).

unknown

bt709

bt470bg

BT601 625

smpte170m

BT601 525

bt2020

smpte431

DCI P3

smpte432

P3 D65

transfer_characteristics

Set the color transfer. Available values are:

auto

Keep the same transfer characteristics property (default).

unknown

bt709

BT 601, BT 709, BT 2020

smpte2084

SMPTE ST 2084

arib-std-b67

ARIB STD-B67

matrix_coefficients

Set the matrix coefficient. Available values are:

auto

Keep the same colorspace property (default).

unknown

bt709

smpte170m

BT 601

bt2020nc

Set Rec709 colorspace for each frame of the file

ffmpeg -i INPUT -c copy -bsf:v prores_metadata=color_primaries=bt709:color_trc=bt709:colorspace=bt709 output.mov

Set Hybrid Log-Gamma parameters for each frame of the file

ffmpeg -i INPUT -c copy -bsf:v prores_metadata=color_primaries=bt2020:color_trc=arib-std-b67:colorspace=bt2020nc output.mov

Remove extradata from packets.

It accepts the following parameter:

freq

Set which frame types to remove extradata from.

1. Remove extradata from non-keyframes only.
2. Remove extradata from keyframes only.
3. Remove extradata from all frames.

Set PTS and DTS in packets.

It accepts the following parameters:

ts

pts

dts

Set expressions for PTS, DTS or both.

The expressions are evaluated through the eval API and can contain the following constants:

1. The count of the input packet. Starting from 0.
2. The demux timestamp in input in case of ts or dts option or presentation timestamp in case of pts option.
3. The original position in the file of the packet, or undefined if undefined for the current packet
4. The demux timestamp in input.
5. The presentation timestamp in input.
6. The DTS of the first packet.
7. The PTS of the first packet.
8. The previous input DTS.
9. The previous input PTS.
10. The previous output DTS.
11. The previous output PTS.
12. The timebase of stream packet belongs.
13. The sample rate of stream packet belongs.

Convert text subtitles to MOV subtitles (as used by the mov_text codec) with metadata headers.

See also the mov2textsub filter.

Log trace output containing all syntax elements in the coded stream headers (everything above the level of individual coded blocks). This can be useful for debugging low-level stream issues.

Supports AV1, H.264, H.265, (M)JPEG, MPEG-2 and VP9, but depending on the build only a subset of these may be available.

Extract the core from a TrueHD stream, dropping ATMOS data.

Modify metadata embedded in a VP9 stream.

color_space

Set the color space value in the frame header. Note that any frame set to RGB will be implicitly set to PC range and that RGB is incompatible with profiles 0 and 2.

unknown

bt601

bt709

smpte170

smpte240

bt2020

rgb

color_range

Set the color range value in the frame header. Note that any value imposed by the color space will take precedence over this value.

tv

pc

nil

Merge VP9 invisible (alt-ref) frames back into VP9 superframes. This fixes merging of split/segmented VP9 streams where the alt-ref frame was split from its visible counterpart.

Split VP9 superframes into single frames.

Given a VP9 stream with correct timestamps but possibly out of order, insert additional show-existing-frame packets to correct the ordering.